Advertising
Advertising

The Passion of the Craft

The Passion of the Craft

Google search “craft” and you’ll get crafts for kids near the top position. No one disagrees that quilting, basket weaving, balloon animal making, flower pressing, bead working, or corn doll making are crafts – of course they are. There is, however, an age old dispute distinguishing art from craft. Craft often gets the bad rap, especially from self fashioned fine artists. Do we dare call Picasso or Pollack craftsmen? How about David Burne, Santiago Calatrava, or Steve Jobs?

Craftsmen have guilds. Master Craftsmen apprentice, gain skill and make money – or, at least they once did. The industrial revolution reduced many craftsmen to hobbyists, but that doesn’t change their awesome skill, only the income stream. If a craftsman no longer makes money do they involuntarily turn artist?

Social validators maintain that craft and art separate via intent: function or personal expression, profit or pure aesthetic. Make reproductions of art work, no matter how fine, they become product – the reproduction is transformed into craft that performs as art – confusing to say the least if you accept the premise. A Ming vase was designed to hold flowers, made rare by antiquity, magically becomes a work of art. When the two are bundled together as in “arts and crafts”, does kitsch over take the result by virtue of its label?

Advertising

I occasionally ponder contemporary art that I simply don’t “get”. Feel the emotional void? The artist’s supplied blurb doesn’t help generate an emotional connection; it succeeds only at revealing the creator’s intent. Do artists keep the work’s significance obscure so they can dictate interpretation, or are they miserable failures at their craft? Chances are good they’d claim to be ahead of their time or too insightful for mass consumption.

Creativity is an ingenious mix of the familiar with the unexpected. Jeff Hawkins and Sandra Blakeslee, in their book, On Intelligence, describe remarkable creativity as using uncommon past analogies to make uncommon future predictions. In other words, we combine previous experiences, knowledge, or thought patterns in imaginative ways to create new patterns that solve problems or shape artistic expression. We solve new problems using what we know worked and combine life experience with our understanding of the current challenge. Success creates new solutions that are pressed into service as past analogies the next time we’re challenged, hence skills are built.

With artistic endeavors, if too much “new” is introduced, it ceases to resonate with an audience. It’s as if we pull our audience along with a delicate string. Pull too hard and the connection breaks; too slack and attention is lost. Proceeding with a broken string makes for self indulgent artistic expression. True innovation breaks convention and violates predictions, but if shared unsuccessfully with fellow humans, otherwise significant creativity is either uniquely useless or massively self-indulgent. Craft is the connecting string.

Advertising

To be skilled at a craft is not craftiness: i.e. adept in the use of subtlety and guile. The craftily skilled are not artistic fakers. Craft is what we see, hear, read, taste and feel about creativity. It’s the “Do” share of creativity. Craft is the vehicle of personal expression and innovation. Craft is what we hone in order to push our imagination out to the masses.

From Kitsch to Avant-Guard, craft is what connects us to the artist; it’s the difference between satisfying a challenge and indecipherable theories. High craftsmanship is rooted in human skill, expertise, dexterity, ability, and technique; machines can’t demonstrate craftsmanship. If machines produce high quality objects, it’s the result of fine machining by the innovative humans who created the process. Did you make an aesthetic decision in your crafting process? Then the outcome is art, aka – human expression. No decision? Then you’re a machine or an exceptionally good plagiarist.

Craft gets polished through building on patterns of a skill pyramid: simple early skills topped by highly developed sophisticated abilities honed through repetition. Once learned, the exceptionally gifted own the power to penetrate the sensations of others. They inspire awe and excitement. Their skill opens our emotional and intellectual receptors – we hunger and covet. Our souls play emotional hosts to admiration, envy, and eagerness to take part in the fine art or creative innovation demonstrated through extraordinary craft: an enrichment of the human spirit.

Advertising

With audience receptors unlocked, artists and innovators are released to share their creativity. Creators at their skill peak report feeling emotion flow from each note of music played or every nuanced dance movement performed. Each fine stroke of a brush or every architectural detail designed makes a meaningful human connection. Remarkable craft is present in both the height of artistic expression and purposeful innovation. Fine craftsmanship is the mouthpiece of creativity.

The objects we call Art or Craft are members of a continual spectrum under the creativity banner. Odds-on, the most purposeful and predictable will be labeled “crafts”, while the most abstract and useless will not. Where do we put the fulcrum in this teeter-totter? Intuition may tell us, but it matters little unless you’re a government bureaucrat required to levy import duty, or an art dealer primed to cash in on the next Rembrandt.

It may also be a matter of context. Display objects heretofore perceived as crafts in an art museum, they cease to be useful and therefore perceived as art by virtue of surroundings. A rare Ming vase is no longer useful behind bulletproof glass. New York’s Museum of Modern Art is a renowned venue for the exhibition of artworks that were – or are – mass produced and purposeful. There seems to be no rule for which we can’t find an exception.

Advertising

Why are “art objects” valued higher or fine artists held with greater esteem than those perceived as Crafts or Craftsmen? Exclusivity and purity I suspect. For the same reason art increases in value post mortem, objects perceived as crafts appear to be more easily reproducible. They often have a product-like appearance such as an unlimited edition photograph or a Charles Eames Chair.

What’s more, Artists claim a purity that is unaffected by profit or committee approval. Artistic “sell-outs” lose a piece of their soul [so I hear]. While profit motives can be problematic for artistic expression, I don’t believe it is the fulcrum of the creativity teeter-totter. Countless great artists and innovators respond to commission, and the galleries are full of art for profit.

Those who spawn what we label “art” or “craft” use the same creative essentials. Self designated artist or craftsman, approach personal expressions or innovations from different perspectives but achieve parallel results. Intensity of emotion, imagination, function or intent dictates the resulting perception. Uncommon creative passion is delivered through worthy craft; it’s the essential skill for successful transfer to an audience.

Bruce DeBoer
Visit: http://brucedeboer.typepad.com for more articles and information

More by this author

Limit Creativity, Get Innovation Being A Creative The Emotions of Creativity The Passion of the Craft Edit My Life – Please

Trending in Communication

110 Ways To Step Out Of Your Comfort Zone And Enjoy Taking Risks 2When You Start to Enjoy Being Single, These 12 Things Will Happen 321 Best Tips On Making A Long Distance Relationship Work 4The Skill That Most People Don’t Have: Active Listening 518 Signs You’ve Found Your Soulmate

Read Next

Advertising
Advertising

Last Updated on August 16, 2018

10 Ways To Step Out Of Your Comfort Zone And Enjoy Taking Risks

10 Ways To Step Out Of Your Comfort Zone And Enjoy Taking Risks

The ability to take risks by stepping outside your comfort zone is the primary way by which we grow. But we are often afraid to take that first step.

In truth, comfort zones are not really about comfort, they are about fear. Break the chains of fear to get outside. Once you do, you will learn to enjoy the process of taking risks and growing in the process.

Here are 10 ways to help you step out of your comfort zone and get closer to success:

1. Become aware of what’s outside of your comfort zone

What are the things that you believe are worth doing but are afraid of doing yourself because of the potential for disappointment or failure?

Draw a circle and write those things down outside the circle. This process will not only allow you to clearly identify your discomforts, but your comforts. Write identified comforts inside the circle.

2. Become clear about what you are aiming to overcome

Take the list of discomforts and go deeper. Remember, the primary emotion you are trying to overcome is fear.

Advertising

How does this fear apply uniquely to each situation? Be very specific.

Are you afraid of walking up to people and introducing yourself in social situations? Why? Is it because you are insecure about the sound of your voice? Are you insecure about your looks?

Or, are you afraid of being ignored?

3. Get comfortable with discomfort

One way to get outside of your comfort zone is to literally expand it. Make it a goal to avoid running away from discomfort.

Let’s stay with the theme of meeting people in social settings. If you start feeling a little panicked when talking to someone you’ve just met, try to stay with it a little longer than you normally would before retreating to comfort. If you stay long enough and practice often enough, it will start to become less uncomfortable.

4. See failure as a teacher

Many of us are so afraid of failure that we would rather do nothing than take a shot at our dreams.

Advertising

Begin to treat failure as a teacher. What did you learn from the experience? How can you take that lesson to your next adventure to increase your chance of success?

Many highly successful people failed plenty of times before they succeeded. Here’re some examples:

10 Famous Failures to Success Stories That Will Inspire You to Carry On

5. Take baby steps

Don’t try to jump outside your comfort zone, you will likely become overwhelmed and jump right back in.

Take small steps toward the fear you are trying to overcome. If you want to do public speaking, start by taking every opportunity to speak to small groups of people. You can even practice with family and friends.

Take a look at this article on how you can start taking baby steps:

Advertising

The Number One Secret to Life Success: Baby Steps

6. Hang out with risk takers

There is no substitute for this step. If you want to become better at something, you must start hanging out with the people who are doing what you want to do and start emulating them. (Here’re 8 Reasons Why Risk Takers Are More Likely To Be Successful).

Almost inevitably, their influence will start have an effect on your behavior.

7. Be honest with yourself when you are trying to make excuses

Don’t say “Oh, I just don’t have the time for this right now.” Instead, be honest and say “I am afraid to do this.”

Don’t make excuses, just be honest. You will be in a better place to confront what is truly bothering you and increase your chance of moving forward.

8. Identify how stepping out will benefit you

What will the ability to engage in public speaking do for your personal and professional growth? Keep these potential benefits in mind as motivations to push through fear.

Advertising

9. Don’t take yourself too seriously

Learn to laugh at yourself when you make mistakes. Risk taking will inevitably involve failure and setbacks that will sometimes make you look foolish to others. Be happy to roll with the punches when others poke fun.

If you aren’t convinced yet, check out these 6 Reasons Not to Take Life So Seriously.

10. Focus on the fun

Enjoy the process of stepping outside your safe boundaries. Enjoy the fun of discovering things about yourself that you may not have been aware of previously.

Featured photo credit: Unsplash via unsplash.com

Read Next