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The Passion of the Craft

The Passion of the Craft

Google search “craft” and you’ll get crafts for kids near the top position. No one disagrees that quilting, basket weaving, balloon animal making, flower pressing, bead working, or corn doll making are crafts – of course they are. There is, however, an age old dispute distinguishing art from craft. Craft often gets the bad rap, especially from self fashioned fine artists. Do we dare call Picasso or Pollack craftsmen? How about David Burne, Santiago Calatrava, or Steve Jobs?

Craftsmen have guilds. Master Craftsmen apprentice, gain skill and make money – or, at least they once did. The industrial revolution reduced many craftsmen to hobbyists, but that doesn’t change their awesome skill, only the income stream. If a craftsman no longer makes money do they involuntarily turn artist?

Social validators maintain that craft and art separate via intent: function or personal expression, profit or pure aesthetic. Make reproductions of art work, no matter how fine, they become product – the reproduction is transformed into craft that performs as art – confusing to say the least if you accept the premise. A Ming vase was designed to hold flowers, made rare by antiquity, magically becomes a work of art. When the two are bundled together as in “arts and crafts”, does kitsch over take the result by virtue of its label?

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I occasionally ponder contemporary art that I simply don’t “get”. Feel the emotional void? The artist’s supplied blurb doesn’t help generate an emotional connection; it succeeds only at revealing the creator’s intent. Do artists keep the work’s significance obscure so they can dictate interpretation, or are they miserable failures at their craft? Chances are good they’d claim to be ahead of their time or too insightful for mass consumption.

Creativity is an ingenious mix of the familiar with the unexpected. Jeff Hawkins and Sandra Blakeslee, in their book, On Intelligence, describe remarkable creativity as using uncommon past analogies to make uncommon future predictions. In other words, we combine previous experiences, knowledge, or thought patterns in imaginative ways to create new patterns that solve problems or shape artistic expression. We solve new problems using what we know worked and combine life experience with our understanding of the current challenge. Success creates new solutions that are pressed into service as past analogies the next time we’re challenged, hence skills are built.

With artistic endeavors, if too much “new” is introduced, it ceases to resonate with an audience. It’s as if we pull our audience along with a delicate string. Pull too hard and the connection breaks; too slack and attention is lost. Proceeding with a broken string makes for self indulgent artistic expression. True innovation breaks convention and violates predictions, but if shared unsuccessfully with fellow humans, otherwise significant creativity is either uniquely useless or massively self-indulgent. Craft is the connecting string.

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To be skilled at a craft is not craftiness: i.e. adept in the use of subtlety and guile. The craftily skilled are not artistic fakers. Craft is what we see, hear, read, taste and feel about creativity. It’s the “Do” share of creativity. Craft is the vehicle of personal expression and innovation. Craft is what we hone in order to push our imagination out to the masses.

From Kitsch to Avant-Guard, craft is what connects us to the artist; it’s the difference between satisfying a challenge and indecipherable theories. High craftsmanship is rooted in human skill, expertise, dexterity, ability, and technique; machines can’t demonstrate craftsmanship. If machines produce high quality objects, it’s the result of fine machining by the innovative humans who created the process. Did you make an aesthetic decision in your crafting process? Then the outcome is art, aka – human expression. No decision? Then you’re a machine or an exceptionally good plagiarist.

Craft gets polished through building on patterns of a skill pyramid: simple early skills topped by highly developed sophisticated abilities honed through repetition. Once learned, the exceptionally gifted own the power to penetrate the sensations of others. They inspire awe and excitement. Their skill opens our emotional and intellectual receptors – we hunger and covet. Our souls play emotional hosts to admiration, envy, and eagerness to take part in the fine art or creative innovation demonstrated through extraordinary craft: an enrichment of the human spirit.

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With audience receptors unlocked, artists and innovators are released to share their creativity. Creators at their skill peak report feeling emotion flow from each note of music played or every nuanced dance movement performed. Each fine stroke of a brush or every architectural detail designed makes a meaningful human connection. Remarkable craft is present in both the height of artistic expression and purposeful innovation. Fine craftsmanship is the mouthpiece of creativity.

The objects we call Art or Craft are members of a continual spectrum under the creativity banner. Odds-on, the most purposeful and predictable will be labeled “crafts”, while the most abstract and useless will not. Where do we put the fulcrum in this teeter-totter? Intuition may tell us, but it matters little unless you’re a government bureaucrat required to levy import duty, or an art dealer primed to cash in on the next Rembrandt.

It may also be a matter of context. Display objects heretofore perceived as crafts in an art museum, they cease to be useful and therefore perceived as art by virtue of surroundings. A rare Ming vase is no longer useful behind bulletproof glass. New York’s Museum of Modern Art is a renowned venue for the exhibition of artworks that were – or are – mass produced and purposeful. There seems to be no rule for which we can’t find an exception.

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Why are “art objects” valued higher or fine artists held with greater esteem than those perceived as Crafts or Craftsmen? Exclusivity and purity I suspect. For the same reason art increases in value post mortem, objects perceived as crafts appear to be more easily reproducible. They often have a product-like appearance such as an unlimited edition photograph or a Charles Eames Chair.

What’s more, Artists claim a purity that is unaffected by profit or committee approval. Artistic “sell-outs” lose a piece of their soul [so I hear]. While profit motives can be problematic for artistic expression, I don’t believe it is the fulcrum of the creativity teeter-totter. Countless great artists and innovators respond to commission, and the galleries are full of art for profit.

Those who spawn what we label “art” or “craft” use the same creative essentials. Self designated artist or craftsman, approach personal expressions or innovations from different perspectives but achieve parallel results. Intensity of emotion, imagination, function or intent dictates the resulting perception. Uncommon creative passion is delivered through worthy craft; it’s the essential skill for successful transfer to an audience.

Bruce DeBoer
Visit: http://brucedeboer.typepad.com for more articles and information

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Last Updated on January 24, 2021

How to Say No When You Know You Say Yes Too Often

How to Say No When You Know You Say Yes Too Often

Do you say yes so often that you no longer feel that your own needs are being met? Are you wondering how to say no to people?

For years, I was a serial people pleaser[1]. Known as someone who would step up, I would gladly make time, especially when it came to volunteering for certain causes. I proudly carried this role all through grade school, college, even through law school. For years, I thought saying “no” meant I would disappoint a good friend or someone I respected.

But somewhere along the way, I noticed I wasn’t quite living my life. Instead, I seem to have created a schedule that was a strange combination of meeting the expectations of others, what I thought I should be doing, and some of what I actually wanted to do. The result? I had a packed schedule that left me overwhelmed and unfulfilled.

It took a long while, but I learned the art of saying no. Saying no meant I no longer catered fully to everyone else’s needs and could make more room for what I really wanted to do. Instead of cramming too much in, I chose to pursue what really mattered. When that happened, I became a lot happier.

And guess what? I hardly disappointed anyone.

The Importance of Saying No

When you learn the art of saying no, you begin to look at the world differently. Rather than seeing all of the things you could or should be doing (and aren’t doing), you start to look at how to say yes to what’s important.

In other words, you aren’t just reacting to what life throws at you. You seek the opportunities that move you to where you want to be.

Successful people aren’t afraid to say no. Oprah Winfrey, considered one of the most successful women in the world, confessed that it was much later in life when she learned how to say no. Even after she had become internationally famous, she felt she had to say yes to virtually everything.

Being able to say no also helps you manage your time better.

Warren Buffett views “no” as essential to his success. He said:

“The difference between successful people and really successful people is that really successful people say no to almost everything.”

When I made “no” a part of my toolbox, I drove more of my own success, focusing on fewer things and doing them well.

How We Are Pressured to Say Yes

It’s no wonder a lot of us find it hard to say no.

From an early age, we are conditioned to say yes. We said yes probably hundreds of times in order to graduate from high school and then get into college. We said yes to find work, to get a promotion, to find love and then yes again to stay in a relationship. We said yes to find and keep friends.

We say yes because we feel good when we help someone, because it can seem like the right thing to do, because we think that is key to success, and because the request might come from someone who is hard to resist.

And that’s not all. The pressure to say yes doesn’t just come from others. We put a lot of pressure on ourselves.

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At work, we say yes because we compare ourselves to others who seem to be doing more than we are. Outside of work, we say yes because we are feeling bad that we aren’t doing enough to spend time with family or friends.

The message, no matter where we turn, is nearly always, “You really could be doing more.” The result? When people ask us for our time, we are heavily conditioned to say yes.

How Do You Say No Without Feeling Guilty?

Deciding to add the word “no” to your toolbox is no small thing. Perhaps you already say no, but not as much as you would like. Maybe you have an instinct that if you were to learn the art of no that you could finally create more time for things you care about.

But let’s be honest, using the word “no” doesn’t come easily for many people.

3 Rules of Thumbs for Saying No

1. You Need to Get Out of Your Comfort Zone

Let’s face it. It is hard to say no. Setting boundaries around your time, especially you haven’t done it much in the past, will feel awkward. Your comfort zone is “yes,” so it’s time to challenge that and step outside that.

If you need help getting out of your comfort zone, check out this article.

2. You Are the Air Traffic Controller of Your Time

When you want to learn how to say no, remember that you are the only one who understands the demands for your time. Think about it: who else knows about all of the demands in your life? No one.

Only you are at the center of all of these requests. You are the only one that understands what time you really have.

3. Saying No Means Saying Yes to Something That Matters

When we decide not to do something, it means we can say yes to something else that we may care more about. You have a unique opportunity to decide how you spend your precious time.

6 Ways to Start Saying No

Incorporating that little word “no” into your life can be transformational. Turning some things down will mean you can open doors to what really matters. Here are some essential tips to learn the art of no:

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1. Check in With Your Obligation Meter

One of the biggest challenges to saying no is a feeling of obligation. Do you feel you have a responsibility to say yes and worry that saying no will reflect poorly on you?

Ask yourself whether you truly have the duty to say yes. Check your assumptions or beliefs about whether you carry the responsibility to say yes. Turn it around and instead ask what duty you owe to yourself.

2. Resist the Fear of Missing out (FOMO)

Do you have a fear of missing out (FOMO)? FOMO can follow us around in so many ways. At work, we volunteer our time because we fear we won’t move ahead. In our personal lives, we agree to join the crowd because of FOMO, even while we ourselves aren’t enjoying the fun.

Check in with yourself. Are you saying yes because of FOMO or because you really want to say yes? More often than not, running after fear doesn’t make us feel better[2].

3. Check Your Assumptions About What It Means to Say No

Do you dread the reaction you will get if you say no? Often, we say yes because we worry about how others will respond or because of the consequences. We may be afraid to disappoint others or think we will lose their respect. We often forget how much we are disappointing ourselves along the way.

Keep in mind that saying no can be exactly what is needed to send the right message that you have limited time. In the tips below, you will see how to communicate your no in a gentle and loving way.

You might disappoint someone initially, but drawing a boundary can bring you the freedom you need so that you can give freely of yourself when you truly want to. And it will often help others have more respect for you and your boundaries, not less.

4. When the Request Comes in, Sit on It

Sometimes, when we are in the moment, we instinctively agree. The request might make sense at first. Or we typically have said yes to this request in the past.

Give yourself a little time to reflect on whether you really have the time or can do the task properly. You may decide the best option is to say no. There is no harm in giving yourself the time to decide.

5. Communicate Your “No” with Transparency and Kindness

When you are ready to tell someone no, communicate your decision clearly. The message can be open and honest[3] to ensure the recipient that your reasons have to do with your limited time.

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How do you say no? 9 Healthy Ways to Say “No”

    Resist the temptation not to respond or communicate all. But do not feel obligated to provide a lengthy account about why you are saying no.

    Clear communication with a short explanation is all that is needed. I have found it useful to tell people that I have many demands and need to be careful with how I allocate my time. I will sometimes say I really appreciate that they came to me and for them to check in again if the opportunity arises another time.

    6. Consider How to Use a Modified No

    If you are under pressure to say yes but want to say no, you may want to consider downgrading a “yes” to a “yes but…” as this will give you an opportunity to condition your agreement to what works best for you.

    Sometimes, the condition can be to do the task, but not in the time frame that was originally requested. Or perhaps you can do part of what has been asked.

    Final Thoughts

    Beginning right now, you can change how you respond to requests for your time. When the request comes in, take yourself off autopilot where you might normally say yes.

    Use the request as a way to draw a healthy boundary around your time. Pay particular attention to when you place certain demands on yourself.

    Try it now. Say no to a friend who continues to take advantage of your goodwill. Or, draw the line with a workaholic colleague and tell them you will complete the project, but not by working all weekend. You’ll find yourself much happier.

    More Tips on How to Say No

    Featured photo credit: Chris Ainsworth via unsplash.com

    Reference

    [1] Science of People: 11 Expert Tips to Stop Being a People Pleaser and Start Doing You
    [2] Anxiety and Depression Association of America: Tips to Get Over Your FOMO, or Fear of Missing Out
    [3] Cooks Hill Counseling: 9 Healthy Ways to Say “No”

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